EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
The School for Scandal
The Royal Shakespeare Theatre, Stratford-Upon-Avon
RECOGNISED as an actors’ play, Richard Sheridan’s 18th-century satire on contemporary manners has long been long recognised as a comic masterpiece.
The playwright would assuredly have been delighted with Tinuke Craig’s new production. Along with her Set and Costume Designer, Alex Lowde, she has created an essentially modern treatment which never forgets that it celebrates its own time while constantly nudging its audience to recognise itself.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



