JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
A Midsummer Night’s Dream
Globe Theatre
London SE1
4/5
EMMA RICE’S first production as the Globe Theatre’s new artistic director certainly throws down the gauntlet.
At the triple wedding that concludes Shakespeare’s A Midsummer Night’s Dream, the Mechanicals perform Pyramus and Thisbe. Here, in Rice’s funny, irreverent and highly entertaining production, Starveling (Nandi Bhebhe, pictured) plays the “man i’ the moon” dressed as a spaceman.
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying



