JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
The Hollow of the Hand
PJ Harvey and Seamus Murphy
Royal Festival Hall, London SE1
4/5
Dominating the stage at the Royal Festival Hall is an extraordinary monochrome image of a ceiling hung with flames. Shot by photojournalist Seamus Murphy from the outside of a home in Kosovo, it is an image with eloquence, setting the tone for the evening ahead as the audience take their seats.
Launching The Hollow of the Hand, a publication of poems by renowned singer-songwriter PJ Harvey together with photographs by Murphy, this special event as part of the Southbank Centre’s London Literature Festival sees the stage tentatively divided into three. To the right, a lectern ready for spotlighted poetry recitals; centre stage, musical instruments to perform new material and, to the far right, two seats set for dialogue and narration.
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
On January 2 2014, PJ Harvey used her turn as guest editor of the Today programme to expose the realities of war, arms dealing and media complicity. The fury that followed showed how rare – and how threatening – such honesty is within Britain’s most Establishment broadcaster, says IAN SINCLAIR
TOM STONE sings the praises of one of the oldest open-air festivals in Britain
The Bard commutes to work for the first time in 45 years



