ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Why the Red Army stopped outside Warsaw
WILL PODMORE welcomes, with reservations, a new history of Operation Bagration and the Red Army’s defeat of Nazi Germany
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
Endgame 1944: How Stalin Won the War
Jonathan Dimbleby
Viking, £25
IN this history of 1944’s battles on the Eastern Front, author and broadcaster Jonathan Dimbleby draws on the diaries, letters and reminiscences of soldiers on both sides, from generals to foot soldiers. His account rightly emphasises the decisive role the Red Army played in winning the second world war.
As Dimbleby asserts, Operation Bagration, fought from June 22 to August 19, was “the greatest single battlefield victory of the second world war. In operational scale and strategic significance … [it] was of more moment even than Operation Overlord, the overlapping Allied campaign in Normandy that began with the cross-Channel invasion on 6 June 1944.”
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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