Banksy’s identity may have been published – but was the investigation in the public interest, asks PETER BENGTSEN
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From Wagner to Alex Ho: new musical territory
SIMON DUFF revels in a performance by up and coming concert pianist Aidan Chan
Aiden Chan
[Simon Duff]
RON JACOBS recommends a book that charts the disparate circumstances that defined the lives of two prominent black Afro-Americans — one a communist, the other an anti-communist
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
SYLVIA HIKINS welcomes a survey of successful contemporary worker co-operatives and economy-based co-operative systems
DAVID NICHOLSON recommends the staging of this Wagnerian classic minus one or two insignificant quibbles
JOHN GREEN relishes the record of a life well lived in the service of the fight for justice and socialism
Wagnerisms
1901 Arts Club, London
AIDAN CHAN is an Irish Chinese pianist whose work favours an exploration of identity and social structures through performance. He has an affinity for Chopin and Mozart. In short he is fearless, courageous and ambitious.
For his London May concert Chan chose to focus on the work of Wagner and emerging British-Chinese composer Alex Ho.
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