The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
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Top-notch biblical folk-tale
SIMON PARSONS recommends a musical retelling of the Old Testament story of the sexual awakening of a young childless bride
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
Song of Songs
Park Theatre, London
INSPIRED by the Old Testament book also known as the Song of Solomon, this award-winning musical play sets out to explore the themes at the heart of the biblical collection of erotic love poems without the religious context.
The simple plot, told as a traditional folk story by the mad, wandering poetess of love is that of a young woman Tirzah, forced into a loveless, unfulfilling marriage who is only awakened to the intense power of desire with the arrival of mysterious love letters that spark her sexual liberation and empower her as a woman.
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