New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Top-notch biblical folk-tale
SIMON PARSONS recommends a musical retelling of the Old Testament story of the sexual awakening of a young childless bride
JAN WOOLF wallows in the historical mulch of post WW2 West Germany, and the resistant, challenging sense made of it by Anselm Kiefer
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
CARLOS MARTINEZ welcomes the publication of the writings of the great Palestinian author, political theorist and spokesman for the PFLP
The Star's critic MARIA DUARTE review Cottontail, Memoir of a Snail, Bridget Jones: Mad About the Boy, and Captain America: Brave New World
PAUL DONOVAN is fascinated by an account of the long history of Catholic Church’s involvement in espionage
ROGER McKENZIE welcomes an important contribution to the history of Africa, telling the story in its own right rather than in relation to Europeans
Song of Songs
Park Theatre, London
INSPIRED by the Old Testament book also known as the Song of Solomon, this award-winning musical play sets out to explore the themes at the heart of the biblical collection of erotic love poems without the religious context.
The simple plot, told as a traditional folk story by the mad, wandering poetess of love is that of a young woman Tirzah, forced into a loveless, unfulfilling marriage who is only awakened to the intense power of desire with the arrival of mysterious love letters that spark her sexual liberation and empower her as a woman.
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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STEVE JOHNSON recommends a new album of folksongs that tell stories of female empowerment and a desire for peace
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SIMON PARSONS relishes the revival of a highly original play that explores the reinvention of a family that rejects traditional gender roles