IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
Latest editorial
Top-notch biblical folk-tale
SIMON PARSONS recommends a musical retelling of the Old Testament story of the sexual awakening of a young childless bride
song
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
Song of Songs
Park Theatre, London
INSPIRED by the Old Testament book also known as the Song of Solomon, this award-winning musical play sets out to explore the themes at the heart of the biblical collection of erotic love poems without the religious context.
The simple plot, told as a traditional folk story by the mad, wandering poetess of love is that of a young woman Tirzah, forced into a loveless, unfulfilling marriage who is only awakened to the intense power of desire with the arrival of mysterious love letters that spark her sexual liberation and empower her as a woman.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
