DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
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They did not pass
JOHN GREEN recommends a film on the extraordinary initiative by the Scottish factory workers who four decades ago put a spoke in the wheel of murderous Pinochet war machine in Chile
MICHAEL STEWART applauds a fun send-up of the substandard Agatha Christie whodunnit
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
BRENT CUTLER unpicks the cryptic clues of a book within a book within a murder mystery
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
Nae Pasaran
Directed by Felipe Bustos Sierra
NAE PASARAN tells the incredible but true story of the Scots workers who, from the other side of the world, managed to ground half of Chile’s air force in the longest single act of solidarity against Pinochet’s brutal dictatorship following the 1973 fascist coup.
The feature-length documentary from young Chilean film-maker Felipe Bustos Sierra charts the story of how, in 1974, a small group of workers at the Rolls Royce aircraft factory in East Kilbride, led by Bob Fulton, Robert Somerville, Stuart Barrie and John Keenan, took the decision not to refurbish Hawker Hunter aircraft engines destined to be returned to Chile.
They were engines from the planes that had been used to bomb the Moneda Palace in Santiago and murder President Allende. Fulton had seen the images of people packed into Santiago’s football stadium and Chilean air force jets strafing the palace and now one of the engines from those very same planes was right there in his factory, waiting to be refurbished.
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JOHN GREEN recommends an Argentinian film classic on re-release - a deliciously cynical tale of swindling and double-cross
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
JOHN GREEN applauds an excellent and accessible demonstration that the capitalist economy is the biggest threat to our existence
