KATAYOUN SHAHANDEH surveys Iran’s cultural heritage and explains what has been damaged and what could be lost
The Real Thing
The Old Vic, London
THE latest production of Tom Stoppard’s 1982 play, The Real Thing, does not disappoint.
Impressive performances from James McCardle as Henry and Bel Powley as Annie keep the audience gripped, and the slick scene changes, bring a minimalist 1980s feel to proceedings. The strong blue of the latter part is in some way reflective of the Thatcherite timbre of the times.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere



