PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
REVEALINGLY, Carlos Acosta writes that On before is “one of the most important shows” he has created and danced.
Explicitly in this case, Carlos Acosta has used this revived version of On Before (premiered last week at Edinburgh’s Festival Theatre, prior to UK touring) to present some new-generation performers and choreographers from his Havana-based troupe Acosta Danza.
The exposure is especially viable given Acosta’s physical manifestation, and the inclusion of choreographic works by established makers and a well-planned tour of large proscenium theatres, backed by the producing forces of Norwich Theatre. It is a vital feat to be able to offer opportunities amid such established renown. The live artwork gets to assume a powerful frame.
MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company



