The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Take your mum
The Cuban star Carlos Acosta uses his celebrity to showcase the choreography of others in an egalitarian spirit, judges MATTHEW HAWKINS
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
REVEALINGLY, Carlos Acosta writes that On before is “one of the most important shows” he has created and danced.
Explicitly in this case, Carlos Acosta has used this revived version of On Before (premiered last week at Edinburgh’s Festival Theatre, prior to UK touring) to present some new-generation performers and choreographers from his Havana-based troupe Acosta Danza.
The exposure is especially viable given Acosta’s physical manifestation, and the inclusion of choreographic works by established makers and a well-planned tour of large proscenium theatres, backed by the producing forces of Norwich Theatre. It is a vital feat to be able to offer opportunities amid such established renown. The live artwork gets to assume a powerful frame.
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