ALEX HALL recommends an exhaustive investigation of the means by which the Starmer faction assassinated the left

King Troll (The Fawn)
New Diorama Theatre
THREATENED with traumatic Home Office interviews to prove their 20-year unbroken residency and avoid deportation, sisters Nikita and Riya face insecure futures in a country they call their home.
The play starts out as a naturalistic drama about the injustices encountered by migrants both in the system and with our society in general but takes a surreal twist when they turn for help to a former friend of their deceased mother. Somewhere between Meera Syal’s grandmother in The Kumar’s at No 42 and a crude, socially embittered witch, she offers them a chance of freedom in the form of a magical jar, supposedly capable of producing a servile fawn — a fairy tale advocate or personal genie to solve all their problems.

SIMON PARSONS applauds an impassioned demonstration of the fundamental role of women in the history and protection of the forest ecosystem

SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals