ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Magical powers
JONATHAN TAYLOR is entranced by a collection that touches themes of homelessness, loneliness and abuse with dream-like imagery
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He Used To Do Dangerous Things
Gaia Holmes, Comma Press, £10.99
ARGENTINIAN author Jorge Luis Borges once claimed that artistic creation was, for him, like surrendering to a “voluntary dream.” Though he was speaking of art in general, his words seem particularly applicable to his chosen form: the short story.
Of all literary forms, the short story seems closest to a voluntary dream, in terms of its narrative length, its disorientating propensity to start and end in the middle of things, and its frequent recourse to non-rationalist elements. The magical, the ghostly, the surreal often irrupt into short stories, even those which, at first glance, seem straightforwardly realist in tone and subject matter.
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
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ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
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ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
Similar stories
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FIONA O’CONNOR admires a collection that is a riposte to the armies of developers, estate agents, private capital speculators and their marketeers
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Using magic realism to highlight the problems of migrants does not sit easily with the harsh reality, says SIMON PARSONS
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PETER MASON is unimpressed by an unsubtle production that disregards its woodland setting
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MARY CONWAY feels the timeliness of Dostoevky’s strange tale of a nihilist who corrupts an imaginary paradise