JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
Struggles with identity problems
GORDON PARSONS highly recommends a delightful production of the classic novel that emanates a sense of warmth and love
BRILLIANT: Dee Ahluwalia as Karim (centre)
[Steve Tanner]
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
ALEX HALL is disappointed by a superficial investigation of how consumer choice can be influenced, that ignores the fact that most never have such a choice
The Buddha of Suburbia
The Swan Theatre
Stratford-upon-Avon
ADAPTING any novel for the stage creates problems but Hanif Kureishi’s first kaleidoscopic novel with its range of characters, almost Dickensian in their idiosyncrasies, and profusion of incidents, poses any director a challenge.
Fortunately Emma Rice, of Knee High and Wise Children fame, is well up to the task.
Similar stories
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity
GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
GORDON PARSONS is filled with unease by the RSC’s offering of a brutal fairytale for Christmas