SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Struggles with identity problems
GORDON PARSONS highly recommends a delightful production of the classic novel that emanates a sense of warmth and love
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
The Buddha of Suburbia
The Swan Theatre
Stratford-upon-Avon
ADAPTING any novel for the stage creates problems but Hanif Kureishi’s first kaleidoscopic novel with its range of characters, almost Dickensian in their idiosyncrasies, and profusion of incidents, poses any director a challenge.
Fortunately Emma Rice, of Knee High and Wise Children fame, is well up to the task.
More from this author
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
MICHAL BONCZA rounds up a series of images designed to inspire women
Similar stories
GORDON PARSONS is filled with unease by the RSC’s offering of a brutal fairytale for Christmas
GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight
Transmorphed into a romp in the Caribbean, the play effortlessly wins over the audience, writes GORDON PARSONS
GORDON PARSONS is thrilled by the dramatisation of the relationship between a gay composer and his unmarried female assistant