The bard gives us advance notice of his upcoming medieval K-pop releases
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DAVID YEARSLEY reads the political subtext in the injudicious misfire of will.i.am’s resurrection of his Obama video for the Kamala Harris campaign
DEMOCRAT STOOGE: will.i.am, Founder and President of the i.am Angel Foundation, at the World Economic Forum Annual Meeting 2023 in Davos-Klosters, Switzerland
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
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John Cale's rediscovered classic album 1919, and new releases from Father John Misty and Lucinda Williams
New releases from Yasmin Williams and The War On Drugs, and a tribute album to Jesse Malin
STEVE JOHNSON, CHRIS SEARLE and KEVIN BRYAN review new releases from Brooks Williams and Aaron Catlow, Kris Davis Trio, PP Arnold, Rum Ragged, David Virelles, Mark Harrison Band, Linda Moylan, Catriona Bourne, Julie Driscoll, Brian Auger & The Trinity