Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Slipping through the net
Chilly Gonzales’ music is interspersed with much thoughtful and comedic storytelling and philosophising, writes GEORGE FOGARTY
CG+JC
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Chilly Gonzales
Royal Albert Hall, London
CHILLY GONZALES is a unique artist who has always managed to plough his own furrow. Dropped by his record label in 2004 after handing them a solo piano album (in complete contrast to the dancefloor rap they had signed him for), he went on to release it independently, whereupon it became his bestselling album to date.
He has remained independent ever since, leaving him free to experiment and change direction as he sees fit — often in the middle of a song, as it happens.
His latest album, Gonzo, throws down a self-therapising gauntlet to his fellow musicians, posing the stark question: can you be as arrogantly vulnerable; fearlessly iconoclastic and recklessly genre-busting as this, and still rock the party — all in one go?
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MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
MICHAL BONCZA rounds up a series of images designed to inspire women
