LEO BOIX applauds an audacious, self-questioning film about grief, friendship and film-making
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Sci-fi reviews with Mat Coward: October 2024
From the conundrums of a parallel London to a rewilding project in rural Ireland via a disturbing post-plagues world mystery thrives
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANDY HEDGECOCK, JAMES WALSH and JAMIE BRITTON review Hanging by a Wire, I Want Your Sex, The Pout-Pout Fish, and Rise of the Foot Soldier: Retribution
Chris Searle speaks to US pianist RAN BLAKE
EWAN CAMERON trawls the Edinburgh fringe for new political drama
In a season of Greek mythology NIAMH THORNTON looks at an intriguing relocation of Medea to contemporary Mexico
I’M NOT sure the Guild of Literary Critics include it in their list of approved descriptions, but really, “gorgeous” is the only word that makes sense of Alan Moore’s The Great When (Bloomsbury, £20).
It’s one of those lavish cakes of a book which is so full of plums — hilarious and horrific, touching and obscene, surreal and familiar — that you can’t help gorging yourself on it.
It belongs to the small but much-loved subgenre of “hidden London” fantasies, in which another version of the city overlaps or intersects with the one we know.
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