The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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Poe-faced pleasure from the masters of hilarious horror
Utterly compelling: Martyn Jacques (centre) Pic: Thor Brodreskift
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Haunted Palace
Queen Elizabeth Hall, London
THE TIGER LILLIES, for those who don’t know, are the country’s foremost purveyors of what has been described as “Brechtian punk cabaret.”
Led by the inimitable Martyn Jacques — whose grimacing sneers, circus make-up and ludicrous falsetto somehow evoke an undead Ann Widdecombe, complete with Chelsea smile — they have perfected the art of being both thoroughly repulsive and utterly compelling.
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