Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
A play openly proud about working class identity
PAUL FOLEY speaks with JADE LEWIS, the director of SWEAT at Royal Exchange Manchester
rehearsal
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
JADE LEWIS is one of the rising stars of British theatre. A talented director and writer who has won many plaudits for her work. Starting her career at the Young Vic, Jade went on to direct acclaimed plays at the Gate and Bush theatres in London.
Earlier this month she won an Olivier for her show Sleepova. She’s now taking on US playwright Lynn Nottage’s Pulitzer Prize-winning play SWEAT at the Royal Exchange theatre Manchester. I caught up with her on the eve of the Press Night.
What strikes you about Jade is her class-consciousness. From a working-class family, she is passionate about giving prominent voice to working-class communities in theatre spaces across the country.
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MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
MICHAL BONCZA reviews Cairokee gig at the London Barbican
MICHAL BONCZA rounds up a series of images designed to inspire women
