STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
Orphee, London Coliseum
Classic Cocteau film gets trademark treatment from Philip Glass
Jennifer France (right) as death
[Catherine Ashmore] 
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
THE fourth and final staging of ENO's ambitious Orpheus Series is arguably the most anticipated yet.
When ENO last staged Glass, with Phelim McDermott’s production of Akhnaten earlier this year, it was a resounding success and is currently enjoying a run at New York's Metropolitan Opera House.
However its first three operas about the Orpheus legend have had mixed reviews with empty seats prompting ENO to sell tickets at half price.
More from this author
WILL STONE relishes the chance to hear the Isle of Wight indie sensation in an intimate setting
WILL STONE fact-checks the colourful life of Ozzy Osbourne
WILL STONE witnesses a thrilling festival super-charged with opposition to the British government’s policies on Gaza
BBC accused of silencing acts at Glastonbury for standing in solidarity with Palestine
