The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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Obscured vision
The meaning and purpose of William Blake's work is only partly in evidence at Tate Britain, says
CHRISTINE LINDEY
Blake-Newton
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
William Blake
Tate Britain
OFTEN linked to Constable and Turner as one of the three great British 19th-century Romantic artists, William Blake was a genuinely unique poet, printmaker and painter.
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Despite a small middle-class following, he remained a social outsider due to his class, political radicalism and for being an artisan rather than a trained “fine artist” at a time when the art establishment, led by Joshua Reynolds, was redefining art as a liberal pursuit on a par with the gentlemanly intellectual pursuits of literature and philosophy.
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