SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
The NHS case for a left-wing Labour party
PAUL DONOVAN salutes a timely dramatisation of Aneurin Bevin's life, and the political struggle on the left to create the NHS
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Nye
Olivier Theatre, NT
The narrative is centred on looking back from Nye's deathbed, fittingly set in an NHS hospital ward. In fact the hospital aroma permeates throughout, when it is even a nurse serving the drinks in the House of Commons when Nye first meets future Labour MP and minister Jenny Lee.
The play, by Tim Price, looks back at the different experiences that formed Nye Bevan, from his time in the pits and local council, to the House of Commons and ultimately battling the doctors over NHS contracts.
There are great performances throughout, none more so than Sheen, who brings forth the vulnerabilities of the man, as well as his explosive energy and passion — all done whilst wearing pyjamas.
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