In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
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New tools of oppression
JAMES WALSH is appalled by the implications of introducing AI to the workplace
The Metropolitan Police deploying the use of live facial recognition technology in Croydon, south London, February 9, 2024.
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
RON JACOBS rides shotgun with a member of Black Bloc on the wave of anti-capitalist protests of the 1990s and early 2000s
The Algorithm: How AI Can Hijack Your Career And Steal Your Future
Hilke Schellmann, Hurst, £22
A FRIEND of mine once wrote a sketch about a management training guru, who claimed to have invented a tool that can tell “whether you’re a blue, a green, a red or... a dickhead.” Compared to the products and procedures documented in Hilke Schellmann’s The Algorithm: How AI can Hijack Your Career and Steal Your Future, the dickhead test is positively scientific.
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JAMES WALSH applauds the observations of a new Chinese master of stand-up
