JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
Latest editorial
New tools of oppression
JAMES WALSH is appalled by the implications of introducing AI to the workplace
The Metropolitan Police deploying the use of live facial recognition technology in Croydon, south London, February 9, 2024.
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
The Algorithm: How AI Can Hijack Your Career And Steal Your Future
Hilke Schellmann, Hurst, £22
A FRIEND of mine once wrote a sketch about a management training guru, who claimed to have invented a tool that can tell “whether you’re a blue, a green, a red or... a dickhead.” Compared to the products and procedures documented in Hilke Schellmann’s The Algorithm: How AI can Hijack Your Career and Steal Your Future, the dickhead test is positively scientific.
More from this author
JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
JAMES WALSH applauds the observations of a new Chinese master of stand-up
JAMES WALSH is therapeutically disrobed by a disarmingly attentive exploration of harsh truths and nonsense
JAMES WALSH enthuses over the evidence that the tunes are even better after the unstoppable sex machine
