GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Live Music Review: Laibach
Everyone's favourite tongue-in-cheek totalitarians are as full-on as ever
Great helmsman: Laibach's Milan Fras
[Elekes Andor/Creative Commons] 
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
Laibach
Shepherd's Bush Empire, London
LAIBACH are currently touring off the back of Liberation Day, the acclaimed documentary — or should that be mockumentary? — about the group’s gig in North Korea which made them the first Western band to perform in the country.
The gig in three parts start with a special screening of a film which offers a hugely entertaining window into the various ups and downs the group faced trying to navigate the country’s notoriously bureaucratic systems.
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