ED WAUGH introduces a special event to commemorate the centenary of the 1926 General Strike
Charles Rennie Mackintosh: Making the Glasgow Style
Kelvingrove Gallery
Glasgow
HE BROUGHT about nothing short of a revolution. It’s hard to spend any time in Britain’s second city — Glasgow, that is, for any Brummies and Mancunians out there — without being touched by the flair of Charles Rennie Mackintosh.
With exhibitions in London and Glasgow within the past five years, you might wonder what the current extravaganza marking his 150th birth anniversary at the Kelvingrove can add. But Charles Rennie Mackintosh: Making the Glasgow Style is worthwhile primarily for drumming home that, genius though he was, Mackintosh was no lone ranger. His work defined not just a moment but a movement.
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents



