IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Hit and miss
DAVID NICHOLSON samples two plays – one funny, one unfunny – that will open at the Edinburgh Festival Fringe
hit miss
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
Moscow Love Story/Polly and Esther
Sherman Theatre, Cardiff
TWO drag acts, Polly and Esther (★★★★), trying out their material in Cardiff before they head to the Edinburgh Fringe was an absolute joyous evening at the Sherman Theatre.
Twm Bollen-Molloy and Luke Hereford are Polly Amorous and Esther Parade and the evening starts with two cloaked and darkened figures talking to each other like macabre sister witches from Macbeth.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
