SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Genocide, then and now
FIONA O’CONNOR detects contemporary relevance in the depiction of a society heading into the abyss while the world does nothing
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
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SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Adieu Birkenau
By Ginette Kolinka, JD Morvan and Victor Matet, SelfMadeHero, £19.99
IN our present predicament this graphic novel, written by a survivor of Nazi extermination camps, is a valiant testament to the power of witness.
Ginette Kolinka is a Parisian Jew halfway through her ninth decade. In 1941 she and her family escaped Nazi Paris only to be arrested by German authorities in the free zone.
She was imprisoned and then transferred to the SS-controlled internment camp at Drancy. As part of “the Final Solution” she was transported with her father and her younger brother, Gilbert, to Auschwitz II-Birkenau.
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