SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Film round-up: May 23, 2024
Asexual tenderness, Mad Maxine, fake hitmen and time-travel: The Star's critic MARIA DUARTE reviews Slow, Furiosa, Hit Man and The Present
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Slow (15)
Directed by Marija Kavtaradze
★★★
WHEN dancer Elena and sign language interpreter Dovydas meet sparks fly, but this isn’t your typical romance or love story.
Elena (Greta Grineviciute) is very physical, passionate and sexual while Dovydas (Kestutis Cicenas) is asexual, as he confesses to her off the bat, which means they have to discover how to build their own kind of intimacy.
You are allowed to witness it without it being disrespectful or voyeuristic. It is sweet and tender and the film examines their differing physical needs and how they affect the relationship as it develops at a gentle and slow pace.
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