New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Film round-up: May 2, 2024
The Star's critic MARIA DUARTE reviews The Fall Guy, Red Herring, Love Lies Bleeding and The Idea of You
JAN WOOLF wallows in the historical mulch of post WW2 West Germany, and the resistant, challenging sense made of it by Anselm Kiefer
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
CARLOS MARTINEZ welcomes the publication of the writings of the great Palestinian author, political theorist and spokesman for the PFLP
The Star's critic MARIA DUARTE review Cottontail, Memoir of a Snail, Bridget Jones: Mad About the Boy, and Captain America: Brave New World
PAUL DONOVAN is fascinated by an account of the long history of Catholic Church’s involvement in espionage
ROGER McKENZIE welcomes an important contribution to the history of Africa, telling the story in its own right rather than in relation to Europeans
The Fall Guy (12A)
Directed by David Leitch
★★★★
INSPIRED by the 1980s television series The Fall Guy (starring Lee Majors), this is a wonderfully fun and entertaining non-stop action-packed love letter to the unsung heroes of the film industry — the stunt performers who make action films and action stars look great.
Directed by former stuntman turned film-maker David Leitch (Bullet Train) this is a hilarious, high-octane rollercoaster-ride full of insane stunts, car chases and fight sequences including a world record-breaking number of cannon rolls in a car (eight-and-a-half actually).
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