RITA DI SANTO assesses the winners of the most politically charged festival to date
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Film round-up: July 16, 2020
Reviews of Ghosts of War, Masters of Love, Dreambuilders and Arkansas
KATARZYNA KOSMALA introduces a retrospective by one of the most significant figures in contemporary US photography
MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
New releases from Sam Carter, Spell Songs and Les Thomas
Ghosts of War (18)
Directed by Eric Bress
★★★★
SIXTEEN years after The Butterfly Effect, film-maker Eric Bress returns with a seemingly conventional ghost film but which has a deliciously unsettling and surprising twist.
Set in WWII, it follows five battle-hardened US soldiers — played by Brenton Thwaites, Theo Rossi, Kyle Gallner, Skylar Astin and Alan Ritchson — who are assigned to defend and hold a French chateau against the Nazis.
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ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana