SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
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Fancy a TV binge?
Among upcoming TV series available globally, DENNIS BROE picks out the good, the bad and the interesting
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
The Good:
Machine (ARTE/Amazon Prime)
This series, written by Thomas Bidegain (A Prophet), currently available to be streamed for free on the Arte website, crosses the always vibrant French social realist tradition with kung fu sequences.
A young woman, escaped most likely from the French military, hiding out in a small town and counselled by a Marxist worker of colour, combats factory goons intent on breaking a strike in support of keeping the factory in France instead of the buyer’s intention of moving it to Poland to save money.
The male-female camaraderie and the concealed power of the female combatant echoes the Gina Davis/Samuel L Jackson film The Long Kiss Goodnight and makes for a compelling ride.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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