The Trump government is seizing overseas students from their homes and campuses and even off the streets, with no legal grounds and no due process, writes LINDA PENTZ GUNTER
Remembering anti-Nazi actor Marlene Dietrich, 30 years after her death
JENNY FARRELL pays tribute to the German-born star of the big screen who spoke out against her fascist homeland
Marlene Dietrich and Emil Jannings in The Blue Angel (1930)
As global fascism grows, ROGER McKENZIE urges the left to reclaim May Day’s revolutionary roots — not as an act of nostalgia, but as fuel for building a ‘community of resistance’ against exploitation and the rise of fascism
Our unions need to make a firm stand against so-called ‘defence spending’: the boss class say there’s no magic money tree — and there should be no magic mushroom cloud either, argues NATHAN HENNEBRY
KEITH FLETT revisits the 1978 origins of Britain’s May Day bank holiday — from Michael Foot’s triumph to Thatcher’s reluctant acceptance — as Starmer’s government dodges calls to expand our working-class celebrations
RMT leader Eddie Dempsey's stark warning shook up a fringe meeting at the Scottish TUC
Incredibly, US Republican states are systematically dismantling child labour protections, with children transformed back into the cheap, disposable workers of the Dickens era, reports ANDREW MURRAY
KYRIL WHITTAKER looks at what guides Vietnam 50 years after reunification
MARLENE DIETRICH, who died 30 years ago, on May 6 1992, must be remembered not only for her importance as role model for emancipation, but also for her outspoken and active stand against her Nazi homeland.
Born in Berlin on December 27 1901, she became one of the most famous actors of all time.
Her breakthrough came with the 1929 film The Blue Angel. She left Germany for Hollywood in 1930.
More from this author
As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware its co-option by the far-right
As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware his co-option by the far right
JENNY FARRELL traces the critical role that the CPUSA played in the education of Harlem’s greatest man of letters
JENNY FARRELL introduces an extraordinary book that maintains the cultural practise of the GDR by writing about ordinary working lives
