PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
Autumn
The North Wall Arts Centre, Oxford
ALI SMITH’s 2017 Booker Prize short-listed novel was regarded as one of the first post-Brexit works dealing with the ramifications of the previous year’s European Union membership referendum.
Its depiction of an increasingly insular and fearful country, set on erecting fences while petty, pedantic officialdom flourishes has proved remarkably prescient.
Harry McDonald’s timely adaptation of the novel remains essentially true to Smith’s work revelling in the nature of words, but has even broader implications now with nationalistic European movements growing ever stronger and the re-election of Donald Trump, with his alarmingly hostile and isolationist agenda.
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual



