RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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CSS roxx
MIK SABIERS catches the Brazilian new ravers as they wash around the globe
CSS
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
CSS
Islington Assembly Hall, London
CSS first stormed the stage some 20 years ago when MySpace and the music press was still a thing. They rose to fame in part via the internet and as co-headliners of 2007’s NME Indie Rave Tour. Hailing from Sao Paolo in Brazil, they circled the globe bringing their mix of indie dance rock to the masses on a mission to party, and they partied hard.
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