MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray
Album reviews with Ian Sinclair: November 18, 2024
New releases from Jennifer Castle, Primal Scream and Keith Jarrett
The Bard commutes to work for the first time in 45 years
GORDON PARSONS is riveted by a translation of Shakespeare’s tragedy into joyous comedy set in a southern black homestead
GEORGE FOGARTY relishes the music of black British artists that channels Carribbean, Latin and club sounds, along with contemporary west African radicalism
CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
Jennifer Castle
Camelot
★★★★
RELEASED in 2020, Jennifer Castle’s glacially paced Monarch Season, recorded alone in her kitchen looking out over Lake Erie, was the perfect soundtrack to the isolating Covid lockdowns.
Four years later and the Canadian singer-songwriter’s new record broadens her sonic palette beyond the restrained contemporary folk she is known for, with several tracks like Lucky #8 getting close — whisper it — to rocking out. With the set supposedly a commentary on middle age, she’s helped out by a cast of talented musicians, including Cass McCombs on various guitars and Owen Pallett writing the string arrangements.
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