STEVE JOHNSON, CHRIS SEARLE and TONY BURKE review new releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
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Classic exposure of US racism
The Star's critic MARIA DUARTE recommends the re-release of a thriller that examines the culture of violent xenophobia on the US/Mexico border
fotw
Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
STEVE JOHNSON, CHRIS SEARLE and TONY BURKE review new releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
Lone Star (15)
Directed by John Sayles
WRITER-DIRECTOR John Sayles’ 1996 neo-Western noir Lone Star is a gripping and decisive examination of border tensions, US divisions, racism and the immigration crisis, and is sadly as relevant today as it was back then.
It is being re-released in a brand new 4K restoration. It follows Sam Deeds (Chris Cooper), the sheriff of the Texas border town of Frontera, as he investigates the murder of previous Sheriff Charlie Wade (Kris Kristofferson).
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
