GEOFF BOTTOMS applauds a version set amid the violent conflicts of the 19th century west African Oyo empire before the intervention of British colonialism
Class discrimination and the arts
VANESSA CORBY asks what will the arts do for everyday working people?
ON the morning of July 5, Keir Starmer and his supporters celebrated Labour’s election victory in the Turbine Hall of London’s Tate Modern, bathed in the glow of a huge red wall behind.
Hard on the heels of the culture wars of the Conservative election campaign and its “rip-off degrees” rhetoric, this iconic start felt like stepping into a parallel universe.
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