MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
Cinderella
Lyric Theatre, Hammersmith
SET in the contemporary Queendom of Hammersmith, against an urban background of zero-hours contracts, JD Sports gear and stage sets populated by road signs and traffic junctions, this is most certainly a panto with modern sensibilities.
When Cinderella and her stepsisters hear of an invitation to the royal ball, at first they appear most excited by the fact that the Prince’s palace “has wifi in every room” and, when they arrive, they undergo rigorous electronic security checks before entry is allowed.
Similarly, relationships are very much of the here and now in this Tinuke Craig-directed show. Cinderella proves to be a strong woman buttressing a rather uncertain prince (Gabriel Fleary) while, on the sidelines, the roots of a same-sex relationship begin to develop between Buttons (the excellent Jodie Jacobs) and Popsy, a reluctantly obnoxious stepsister (Lauren Samuels).
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GLENN FOSBRAEY recommends a biography worth reading for both existing George Michael fans and those yet to be converted
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


