EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
IT’S a wonder that it’s taken so long for Angela Carter’s 1991 novel to be adapted for the stage. It’s been well worth the wait.
Director Emma Rice has brought all the trademarks associated with her previous troupe Kneehigh to this first production for her new company Wise Children, with bawdy comedy, song, dance and puppetry that’s unafraid to address heavyweight subjects and emotions.
Taking sections of dialogue directly from Carter’s novel, the play follows the fortunes of identical showgirl twins Dora and Nora Chance through a series of flashbacks. Narrating their own story, they reinvent versions of themselves as themes of class, incest and the role of the father come to the fore.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
ANDY HEDGECOCK is charmed by a skilful adaptation of Tove Jansson’s lyrical portrait of three generations of a family, overcoming grief
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces



