EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
IF PATEL’S Police, Crime, Sentencing and Courts Bill banning “annoying demonstrations” had come into force in 1976, I’d surely have gone to jail by now, given the amount of gigs I’ve done on the backs of slow-moving or stationary lorries, hastily erected stages or quite simply in the middle of the road.
This Bill, now law, is an attack on our basic human rights. There won’t be real protest at all but state-sanctioned, sanitised cosmetics.
It is a pre-local election sop to the servile, cap-doffing gerontocracy which is England — not Britain — in 2021. It is “protecting” inert bits of stone and flags while ignoring living, breathing women, ethnic minorities, the poor, the vulnerable and, above all, the young.
The Bard contributes to the campaign of Count Binface, and applauds Burnham’s plans for vocational training
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
In verse and polemic, the bard points out that he is a poet and musician, not a political party
The Bard commutes to work for the first time in 45 years



