Skip to main content
War wounds that don't heal
SIMON PARSONS recommends a powerful drama on the traumatic consequences of combat past, present and future
Outstanding: The cast of The Unreturning [Tristram Kenton]

The Unreturning
Theatre Royal, Stratford East

THIS intricately designed poetic drama, weaving together the narratives of three war victims, has all the hallmarks of director Neil Bettles’s work with Frantic Assembly.

Staged around a revolving, shape-shifting shipping container,  skilful choreography and synchronised movement blend the tortured experiences of a first world war shell-shocked soldier, a contemporary disgraced Camp Bastion squaddie and a refugee from a martially governed futuristic dystopia who are all attempting to return to their northern British homes and regain something of the past.

Along with former trainees of Frantic Assembly’s training programme Ignition, Bettles has transformed Anna Jordan’s play into a beautifully crafted indictment of the often-forgotten victims of war who are unable to come to terms with their traumatic experiences and the transformation of the emotional and physical landscape that awaits and belies their homecoming expectations.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
wayne
Music / 1 July 2025
1 July 2025

This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF

IMPASSIONED: Phoebe Thomas and Matt Whitchurch / Pic: Ellie Kurttz
Theatre review / 25 May 2025
25 May 2025

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

CLASS AND SEXUALITY: Sesley Hope and Synnove Karlsen in Laura Lomas’s The House Party / Pic: Ikin Yum
Theatre Review / 24 April 2025
24 April 2025

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic

SENSUAL ENLIGHTENMENT: Teige Bisnought and Dylan Springer in
Follow the Movement / 18 March 2025
18 March 2025
MATTHEW HAWKINS appreciates an interpretation in dance of James Baldwin’s landmark novel of doomed homosexual desire