STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
Walter Price: Pearl Lines
Accomplished exploration of the figurative and the abstract
HIGHLY ACCOMPLISHED: It has to rain before you can see where all the leaks are at, 2019
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
WALTER PRICE’S first major institutional exhibition in Britain includes an intriguing group of new paintings and drawings made during lockdown in New York, where he is based.
During that period Price, who is in his thirties and has been exhibiting since 2013, used up whatever materials were on hand in the studio, without ordering in anything new.
That meant he sometimes had to work with the last knockings of his acrylic paints, mixing them with white and producing works dominated by pastel colours.
More from this author
PETER MASON relishes a legend of Jamaican roots reggae still plying his trade with a large degree of spirit
PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco
PETER MASON is surprised by the bleak outlook foreseen for cricket’s future by the cricketers’ bible
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
