MARY CONWAY is gripped by the powerful emotional journeys portrayed by the parents of the perpetrator and victims of a mass shooting
“NO-ONE ever told me there was so much potassium in a banana,” recalls Tony Benn, to much amusement, as he records his final diary entry.
Though the man himself has been dead for five years and wasn’t prone to recording his innermost thoughts in front of a live audience, this engaging and immersive theatrical conceit, the brainchild of director Andy Barrett and director Giles Croft and based on Benn’s diaries, sees Philip Bretherton don a dressing gown, spark up a pipe and embark upon a remarkable performance as the formidable parliamentarian.
The challenges are obvious. Bretherton is over 20 years Benn’s junior, doesn’t immediately resemble the Labour Party stalwart and has to deliver a monologue, complete with those mellifluous intonations and Bennite mannerisms, for over an hour.
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
ANDY HEDGECOCK recommends that these beautifully written diaries from Gaza be essential reading for thick-skinned MPs
MARTIN HALL passes time in the sanguine company of a traditional conservative, recalling their disastrous governments



