EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
I’ve written a tour diary for this great newspaper for many years now, and many of my columns have been based around my regular gigs in mainland Europe, solo and with my band. Those tours will come to an end if this country leaves the EU without a deal, and to say I am sad and angry about that is an understatement.
Incidentally, I choose to take advice on the matter from my trade union, the Musicians’ Union, rather than from Tory politicians or right wing bots who dismiss everything which doesn't fit their tiny myopic world of red-faced insular Daily Express nonsense as “project fear.”
The following paragraphs are written in accordance with that advice.
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
The Bard contributes to the campaign of Count Binface, and applauds Burnham’s plans for vocational training
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
In verse and polemic, the bard points out that he is a poet and musician, not a political party



