The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Seductive sound organisation
CONRAD LANDIN recommends a unique aural event on a Scottish beach
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JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Signal-on-Sea
Irvine Beach
A YOUNG couple scream as they plunge into the water. A flock of seagulls descend on an overturned rubbish bin, surrounded by indifferent teenagers. A family’s picnic, complete with gas stoves and giant folding tables, becomes an object of envy as others struggle against the elements to get their barbecues going.
Close your ears and it could be just another sunny day in Irvine, one of several prime beaches on Scotland’s west coast in easy reach for the working class of the central belt.
But all around are tannoy speakers anchored in the sand, as if the nostalgic comparisons of our present predicament to the beaches of Dunkirk have culminated in a Blitz re-enactment in North Ayrshire.
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