WILL STONE samples the 20th anniversary atmosphere of this eclectic end-of-season indie festival
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A reimagined story for a contemporary London audience
L-R Toyin Ayedun-Alase as Chatter and Nkhanise Phiri as Alice
[Helen Murray]
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
The bard serenades the Diggers of Wigan and their festive followers
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE recommends a nerve-wracking reconstruction of the 72 hours before the Normandy landings
Alice in Wonderland
Brixton House, London SW9
ONE OF the great things about Lewis Carroll’s 1865 classic, Alice’s Adventures in Wonderland, is that it’s so transferable — it easily works as a reimagined story for a contemporary London audience.
Lead writer and director Jack Bradfield transports us to south London’s Brixton in 2022, and 11-year-old Alice (a very impressive Nkhanise Phiri) doesn’t want to go to her nan’s.
She gets into a huge row with her mum on the Tube, where Alice suddenly jumps onto a train going in the opposite direction as the doors close shut.
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MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GEORGE FOGARTY is captivated by a brilliant one-man show depicting life in HMP Strangeways