MARIA DUARTE, LEO BOIX and ANGUS REID review Brides, Dead of Winter, A Night Like This, and The Librarians
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Alice in Undergroundland
PETER MASON suspends his disbelief and disappears down a rabbit hole on the London Tube
VORPAL BLADE: Tatenda Matsvai as Alice
[Helen Murray] ![REBELS: Ebada Hassan and Safiyya Ingar in Nadia Fall’s powerful debut feature Brides [Pic: IMDb]](https://msd11.gn.apc.org/sites/default/files/styles/desktop/public/2025-09/round%20up%20web_0.jpg.webp?itok=41xI6jhN)
MARY CONWAY recommends an early Shakespearean tragedy that feels so contemporary that it mirrors our daily news
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
DAVID NICHOLSON recommends a dazzling production of Bernstein’s opera set in a world where chaos and violence are greeted by equanimity
MARY CONWAY is frustrated by a new play that loses its drama amid the moral dilemma of re-settling children in the aftermath of WWII
Acclaimed as a masterpiece when it premiered, this study of story-telling in an Irish pub more than lives up to expectations, says MARY CONWAY
SYLVIA HIKINS relishes a comedy that dives deep into Liverpool’s divided loyalties
Alice in Wonderland
Brixton House, London
AFTER a modern-day Alice argues with her mum at Brixton underground station, the two are separated when she jumps on a train just as the doors are closing.
Unrepentant at first, Alice soon changes her tune as she finds out she’s not on a real journey but in a jangly Tube dreamland, where a host of strange figures are trapped on a never-ending trip to nowhere.
Similar stories
MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s
PETER MASON applauds a thought-provoking study of the relationship between a grieving woman and her photographer
PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book
PETER MASON applauds a new drama that looks at knife crime through the lens of a group of young south Londoners