GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Reality Check
MARIA DUARTE recommends a startling and original drama derived entirely from FBI transcripts
COERCION: Sydney Sweeney in Reality
[IMDb] 
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
Reality (12A)
Directed by Tina Satter
ON June 3 2017, 25-year-old former member of the US Air Force and NSA contractor Reality Winner (real name) returned home to be confronted by two FBI agents wanting to question her about the leaking of a classified document to the media about Russian interference in the 2016 US elections.
With all the dialogue taken directly from the FBI transcript, what transpires is a tense and chilling docu-drama, anchored by a virtuoso performance from Sydney Sweeney (The White Lotus, Euphoria) as Reality.
Adapted from her 2019 stage play Is This A Room, co-writer directer Tina Satter’s powerful debut feature is a gripping depiction of the gruelling interrogation Reality underwent at the hands of Agent Garrick (Josh Hamilton) and Agent Taylor (Marchant Davis). The three leads enact every stutter, um and cough outlined in the transcript, while every redacted sentence is portrayed by visual jump cuts or a character suddenly disappearing.
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