IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
Latest editorial
Preaching revolution, solidarity, change and equality
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High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
Bob Vylan
Electric Ballroom
GRIME punk rock duo Bob Vylan have had an incredible 2022.
An acclaimed support slot with Amyl & the Sniffers across the US and the UK, winner of Kerrang’s album of the year for The Price of Life, most recently awarded the Mobo for Best Alternative Music Act, Bob Vylan’s year is topped by this sold-out gig at London’s Electric Ballroom, the band’s biggest headline show to date.
Formed back in 2017 the duo’s musical edge is rap punk rock driven social commentary visualised in a mix of action, anger and outrage all set to a rapacious beat.
Opening the set with Big Man, it is literally just seconds before the whole room is rocking. Lead singer Bobby Vylan thrusts and punches his way through the track while waxing lyrical about why the pursuit of money is not the route to happiness, drummer Bobbie Vylan pounds out a visceral beat, and buzzsaw guitar echoes round the room.
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