The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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Poignant reflections on being Jewish
SIMON PARSONS recommends a production in which experiences of war and life as an immigrant become horrifyingly contemporary
rose
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Rose
Park Theatre
London
MAUREEN LIPMAN is the perfect actress for Martin Sherman’s outstanding monologue. Her two-and-a-half-hour narrative is a powerfully captivating account of Rose, an 80-year old Jewish woman and her journey through some of the harrowing events of the 20th century.
Sat on a bench throughout the show, honouring the Jewish tradition of mourning for a close relative’s death (shivah), Rose’s personality, sense of humour and her remarkable life story engage the audience from the outset.
Her epic journey from a Russian Ukrainian village childhood to survival in the Warsaw ghetto, British rejection from Palestine and a financially successful if emotionally damaged married life in US with reflections on her troubled son’s life in an Israel that no longer recognises her relevance, has recurring echoes throughout.
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