Skip to main content
Oleanna, Arts Theatre London
David Mamet’s play on the power games between men and women as relevant today as when first performed 30 years ago
IMMACULATELY CONTROLLED: Jonathan Slinger and Rosie Sheehy in Oleanna [Nobby Clark]

OLEANNA has a simple scenario. John holds down a comfortable academic post in a higher education establishment and is engaged in what appears to be a routine tutoring session with Carol, a seemingly innocuous female student.

He acts like he’s done this a million times and is sitting pretty — a recent promotion enabling him to buy a new upmarket house, adding to life’s sweetness.

But Carol is about to upset the apple cart. While she presents initially as a naive, struggling wannabe, a certain defiance in her tone and posture suggests a different agenda. Carol’s weapon is her identity. A female, self-proclaimed socio-economic underling, a beginner in a world of experts and with an unclear sexual proclivity, her life experience is a million miles from John’s.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
the story
Theatre Review / 8 September 2026
8 September 2026

MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender

slowfire
Theatre review / 27 August 2026
27 August 2026

MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion

churchill
Theatre Review / 17 August 2026
17 August 2026

EWAN CAMERON witnesses a political farce that lacks a clear message

E Jean Carroll [Pic: Courtesy of Dogwoof]
Film of the Week / 23 July 2026
23 July 2026

MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice