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Gifts from The Morning Star
Oleanna, Arts Theatre London
David Mamet’s play on the power games between men and women as relevant today as when first performed 30 years ago
IMMACULATELY CONTROLLED: Jonathan Slinger and Rosie Sheehy in Oleanna [Nobby Clark]

OLEANNA has a simple scenario. John holds down a comfortable academic post in a higher education establishment and is engaged in what appears to be a routine tutoring session with Carol, a seemingly innocuous female student.

He acts like he’s done this a million times and is sitting pretty — a recent promotion enabling him to buy a new upmarket house, adding to life’s sweetness.

But Carol is about to upset the apple cart. While she presents initially as a naive, struggling wannabe, a certain defiance in her tone and posture suggests a different agenda. Carol’s weapon is her identity. A female, self-proclaimed socio-economic underling, a beginner in a world of experts and with an unclear sexual proclivity, her life experience is a million miles from John’s.

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