Skip to main content
Olafur Arnalds presents OPIA, Southbank Centre London
Mesmerising music from Olafur Arnalds and string supremos

ICELANDIC modern classical composer Olafur Arnalds is a multi-talented artist who seems to have tried his hand with most things, including drumming for metal bands and composing film scores, most famously for the ITV series Broadchurch.

His festival OPIA at the Royal Festival Hall and Queen Elizabeth Hall brings together a string of groundbreaking piano-based composers for one long night only.

One of the most compelling, Rhye, sees Canadian singer Mike Milosh team up with his track-suited pal Quincy for an entirely improvised set on two pianos, complemented by Milosh's incredible falsetto.

He sings nonsenses to the audience before asking them to suggest something he should deliver and after dismissing a few, including "hope" which is "too corny," he settles on a song about an octopus.

After delivering a highly entertaining tune on the hoof, he ropes in Quincy for a final sing-along that sees them walking the length of the auditorium. They're having as much fun as the rest of us.

Other eye-opening sets came from Poppy Ackroyd, who takes us to another plane altogether with a performance that sees her plucking the strings of her piano like a harp.

Then there's Hogni & Ensemble, who perform a special set with a string quartet, and Grandbrothers, performing with a band put together especially for OPIA.

As for Arnalds himself, there are few words to describe the epic transformation of the packed Royal Festival Hall that his music and the venue's breathtaking lighting creates.

At one point, flashing blue lights make Arnalds and his fellow collaborators on strings look as if they are shipwrecked at sea.

The group have been on tour since the release of re:member in August last year and tonight he plays a smattering from that, including the beautiful Saman.

If people aren't already getting emotional, he certainly has the audience in tears as he finishes with song Lag Fyrir Ommu, which he explains he wrote for his grandmother after she died.

Climate-conscious Arnalds has also planted a tree for everyone attending and we're given a card with a code on as we leave to view our very own tree online.

An apt gift in a climate emergency.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
krapp
Theatre review / 5 May 2025
5 May 2025

WILL STONE foresees the refashioning of Beckett’s study of bitter nostalgia given the plethora of self-recording we make in the digital age

Kelly Lee Owens
Music review / 5 April 2025
5 April 2025
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
HOMOSEXUAL REPRESSION: Kingsley Ben-Adir as Brick and Seb Ca
Theatre Review / 19 December 2024
19 December 2024
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
INNOVATION: High energy duets that are mixed with chorus lin
Ballet / 29 October 2024
29 October 2024
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
Similar stories
Hania Rani
Culture / 8 April 2025
8 April 2025
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
IMMERSIVE: The Ligeti Quartet play Terry Riley at Kings Plac
Live Music Review / 12 February 2025
12 February 2025
SIMON DUFF immerses himself in the Kings Place D&B soundscape to relish a contemporary string quartet
Arooj Afta
Gig review / 11 November 2024
11 November 2024
WILL STONE relishes the subtle demonstations of political awareness that accompany two standout performers at Brighton’s Mutations festival
Hopkins in 2022 at Sentrum Scene, Oslo.
Gig review / 1 August 2024
1 August 2024
WILL STONE savours an utterly unique voice in electronic music